Monday, February 9, 2015

Blog 001 * Ang Pagdadalaga ni Maximo Oliveros


“Poverty + Acceptance + Equality = Together Family”


In the Philippine movie setting like we had in squatter places in Manila, the movie “Ang Pagdadalaga ni Maximo Oliveros” representing Poverty, conflict of man to man, talking about love and struggle to fight for the situation of the family. One of the film's most interesting aspects for a lot of viewers is the seemingly surprising possibility that homosexual can exist relatively peacefully in the towns. It is most refreshing to see loving, tender feelings binding a marginal family together, rather than the usual scenario we have seen in the other movies who has a gay member of the family. 

As the movie goes it was presented obviously that the family of Maxi was in the midst of poverty. However, their relationship within the family members were very intact because of him who served as the mother in the family. Maxi’s responsibility in the house simply in cooking, preparing the table the time they eat and other stuff which was given to him by his father. What was much highlighted in the movie I think was the love of the family, acceptance and most of all equality to the status of their youngest sibling, Maxi. Maxi was the weakness weapon of the family; best example was the time they’re going to revenged of what had happened to their father and then Maxi was kept in resisting his two brothers not to do that while saying “kuya huwag po, mamamatay din kayo, paano na ako”, that line was very interesting because Boy and Bog’s wasn’t able to get revenged to Victor and to the rest of the police officials since they felt pity to their youngest brother.


Dialectic principle was used in the movie very nice. Like the real situation if we took about the characters, the antagonist of the story was the family of Maxi, his father and his two brothers. In the movie Paco had many cases of shoplifting and other illegal doings that leads him to become cruel. His son Boy killed someone due to their bad work; that situation calls my attention that the family of Maxi was the antagonist of the story. Paco, is a thief and has been doing this job beforehand. . In the other side Victor, the police officer was the protagonist in the movie. He was very responsible to his job and an authoritative guy who was also assigned in some cases where father and brothers of Maxi involved. However, dialectic principle was presented in the movie very clear but I think they’re not the antagonist at the same time because they are only in that situation fighting to survive every day because of poverty. If they had any choice and a job that can support them all thought-out they’d never I think in that kind of occupation.

Another thing the Diegesis in the movie was also presented. The scene that the chief of the station where Victor assigned was not even shown why he was transferred to another place. Next happened in the situation was the new chief assigned in the station where Victor was also consigned. The new chief knew Paco since they encountered each other the time he was assigned in the precinct where Paco live. Victor joined him in the operations he had until in the night of confrontation the new chief gunshot Paco.

 After all, the movie ended that Bogs and Boy take good care of their youngest brother, Maxi. They served as the father and mother of Maxi. The ending of the movie was hanging because we can’t tell that his two brothers ended up with their illegal doings and start a new chapter of their life without their father but with Maxi Oliveros.

            


          

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